André Eduardo Rodrigues da Silva. Improvising in Choro: Applying Pixinguinha’s Compositional Language to Improvisation Using Computer-Assisted Techniques. Start date: 2024.
Matheus Prado Garcia. Glitch and the Artistic Subversion of Artificial Intelligence Tools. Start date: 2024.
Vinicius Yglesias Pereira. GAME AUDIO AND ITS CONTRIBUTION TO PLAYER IMMERSION. Start date: 2024. Thesis (Doctorate in POSTGRADUATE MUSIC STUDIES) – State University of Campinas.
Luca D’Alessandro. Listening to Soundscapes: The Search for Creative Processes Through Transgender Bodily Experience. Start date: 2024. Thesis (Doctorate in Music) – State University of Campinas.
Rafael Mitsuru Yasuda. Computational tools for the analysis of melodic and harmonic compositional patterns in Choro. Start date: 2023. Thesis (Doctorate in POSTGRADUATE MUSIC STUDIES) – State University of Campinas.
Leonardo Porto Passos. Construction of meaning in musical genres based on guitar timbres in rock. Start: 2023. Thesis (Doctorate in POSTGRADUATE MUSIC STUDIES) – State University of Campinas.
Lívio Bruno Sousa de Almeida. IMPROVISATION ON THE SAXOPHONE BY EDUARDO NEVES: AN ANALYSIS OF STYLE AND THE MULTICULTURAL INFLUENCES OF CHORO AND JAZZ IN HIS WORK. Start date: 2021. Thesis (Doctorate in Music) – State University of Campinas. (Advisor).
Camila C.F. Jansson. Analysis of the sound qualities of the timbre of four Brazilian saxophonists using computer support. Start date: 2025.
Camila C.F. Jansson. Psychoacoustic evaluation of the timbre of four Brazilian saxophonists: in search of a notion of sonority. 2024 Original in Portuguese
Breno de Souza Rodrigues. Mobile Structures: Musical Interactions in the Improvised Creation of the Trio Ciclos Group. 2025 Original in Portuguese.
Geremias Tiófilo Pereira Júnior. Variations on “Baião and Maracatu”: an investigation of the creative process in musical performance practice. 2025. (Co-advisor). Original in Portuguese
Victor Afonso Wanderley Oliveira. Trust the process: an auto-ethnography of technology-mediated music creation, from DMI design to studio music production. 2024. (Co-advisor). Original in Portuguese.
Miguel Clemente Rubio. Comparative studies on the development of musical expertise through creative exercises for collective teaching. 2025. (Co-advisor). Original in Spanish.
Ramón Del Pino. The paradigm between practices: representations of improvisation in Brazilian instrumental music. 2024. Original in Portuguese.
Gustavo Nunes Boni. The practice of the contemporary double bass through the perspective of “comprovisation”. 2024. (Co-advisor). Original in Portuguese.
Carlos Roberto dos Santos. Tropical Series: The Emergence of Musical Indexes as a Compositional Framework. 2021. Original in Portuguese.
Rafael Mitsuru Yasuda. The musical universe of Garoto: a perspective through choro and guitar. 2019. Original in Portuguese.
Arthur Faraco. Comprovisation: Between Composition and Improvisation in the Emergence of Contemporary Musical Practices. 2018. Original in Portuguese.
Mário César Borges Marques. The construction of performance in Bittersweet Brazil: a Brazilian clarone in concert music. 2018. Original in Portuguese.
Andrea Paz Munoz Silva. Interpretive Strategies for Improvisation in Three Contemporary Works for Solo Guitar. 2017. Original in Portuguese.
Cassio Antonio Moreira. Free Improvisation: An Ethnographic Study of Music That Does Not Repeat Itself. 2019. Original in Portuguese.
Carlos Roberto Ferreira dos Santos. AN INVESTIGATION INTO THE COMPOSITIONAL PROCESSES OF ARRIGO BARNABÉ’S ALBUM “O GIGANTE NEGÃO.” 2018. Original in Portuguese.
Ronalde Monezzi Filho. IMPROVISATION IN THE GAFIEIRA: A BRAZILIAN SYNTHESIS ON PAULO MOURA’S SAXOPHONE. 2018. Original in Portuguese.