TABLE OF CONTENTS
Introduction
Chapter 1 – Free Improvisation and Context
1.1 – Flow
1.2 – Antecedents
Chapter 2 – The Evidential Paradigm Applied to Analysis in the Performing Arts
2.1. Construction of the Analysis Model
2.2. Open Work and the Evidential Paradigm
2.3. Narrative Possibilities
Chapter 3 – The Foundations of the Atelier: Strategy Development and Experience Reports
3.1 Creative Acts: Foundational Bases of the Atelier
3.1.1 The Imaginary
3.1.2 Creativity
3.1.3 Risk
3.1.4 Invention
3.2 Creative Strategies: Triggers of Flow
3.2.1 Fundamental Concepts
3.2.2 Path of Strategy Creation
3.3. The “Word” Strategy
3.4 Experiences in the Atelier in Motion
Conclusion
The Word and the Imaginary
The Word and Creativity
The Word and Risk
The Word and Invention
References
Appendices
Abstract
The purpose of this study was to develop strategies to create and explore the word as a potentiating agent in the processes of creation, through research on the creative process in Free Improvisation. To understand the phenomenon of creativity in Free Improvisation, we seek methodological alternatives, adapting models of analysis that would allow a consistent approach to the performing arts from the clarification of the concepts of Creativity Process and Evidentiary Paradigm. Likewise, we explore the meaning of creativity to the Free Improvisation, demonstrating the importance of the creative process as components of the imagination, creativity, risk and invention. Thus, we present how they were developing a creative strategy from the word, linked to actions that involve the concepts of emotional resonance and endo-concepts as components of the creative process on the Free Improvisation. For this, we have a lab practical experience, according to the concepts of the creative process, which was named ateliê (studio). We aim to explore the concepts and practical experience, our way in formulating these strategies targeted at different creative perspectives to the Free Improvisation.
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