FALLEIROS, M.S., ALMEIDA, L. The Paths of Brazilian Musical Improvisation: An Analysis of the Improvised Solo by Edu Neves in Caminhando by Nelson Cavaquinho and Nourival Bahia In: 11th Nas Nuvens… Music Congress: Proceedings. Belo Horizonte: UFMG, 2025.
FALLEIROS, M.S.; HARUNA, L. .F. Intercultural musicality: creative process in the arrangement of a Japanese song with elements of Latin music. In: 11th Nas Nuvens… Music Congress: Proceedings. Belo Horizonte: UFMG, 2025.
Falleiros, M. S., Passos, L. P., & Peron, D. M. (2024). Preliminary Study of the Artistic Potential of Video Games. In ArtsIT, Interactivity and Game Creation. Springer. ISBN: 978-3-031-55311-0.
Falleiros, M. S., & Passos, L. P. (2023). The One-Ton Stone: How Rock ‘n’ Roll Became Heavy. ORFEU, 8(2).
Falleiros, M. S., & Santos, C. R. F. (2023). Let’s Play That: Impulses of a Tropical Serialism in Jards Macalé. Revista Musica Hodie, 23, e73991.
Falleiros, M. S., Andraus, M. B., Almeida, A. Z., Angeli, D., Zanchetta, G., Pontes, V., Partesotti, E., Albergaria, A. I., Rossetti, D. A. A., & Manzolli, J. (2023). Dialogue between Body and Sound through Multimodal Interaction. In Proceedings XXVI Generative Art Conference – GA2023 (pp. 384–392). ISBN: 978-88-96610-45-9.
Falleiros, M. S., Novo Junior, J. E. F., & Yglesias, V. (2023). Glossolalia in Games: A Case Study of the Videogame NieR:Automata. In Trilha de Artes & Design – Complete Articles – Brazilian Symposium on Games and Digital Entertainment (SBGAMES), 22 (pp. 124–135). Sociedade Brasileira de Computação.
Falleiros, M. S. (2022). Parameterization of Sound Events for Video-Score in Improvised Music. In C. H. Korman & M. Rodrigues (Eds.), Creative Music: Performance, Improvisation and Innovation (1st ed., Vol. II, pp. 139–159). UFMG. ISBN: 978-65-88804-25-4.
Falleiros, M. S., Novo Junior, J. E. F., & Rubio, M. C. (2021). Free Improvisation at a Distance: Practices with Saxophone Students. 1st International Meeting on Research in Art, Media and Technologies.
Falleiros, M. S., Schaub, S. O., & Rodrigues, B. S. (2021). Aspects of Creative Interaction in Maxixe Improvisation by Trio Ciclos Group. XXXI National Congress of Research and Graduate Studies in Music (ANPPOM).
Falleiros, M. S., & Faraco, A. (2020). Analysis of the Piece “à deriva” from the Perspective of Comprovisation as Experimental Practice. 5th International Meeting of Music Theory and Analysis.
Falleiros, M. S., Novo Junior, J. E. F., Rubio, M. C., & Tavares, T. F. (2020). Experiments on Technology-Assisted Free Improvisational Practices with an Ensemble of Saxophone. 10th Workshop on Ubiquitous Music (UbiMus 2020).
Falleiros, M. S. (2019). A Music Immersed in the Instant: Contingencies in Improvised Creation According to Perceptions and Conceptions of Time. XIV International Symposium on Cognition and Musical Arts – SIMCAM 14-UFMS-Campo Grande/MS.
Falleiros, M. S., Novo Junior, J. E. F., & Rubio, M. C. (2019). Free Improvisation at the CIDDIC-UNICAMP Free School of Music: Methodological Proposal for Acquiring Skills, Capabilities and Attitudes within the Saxophone Ensemble. Revista Vórtex, 7, 1–18.
Falleiros, M. S. (Ed.). (2019). Proceedings of the Symposium CDMC 30 Years: Documentation, Creation and Performance (1st ed.). CIDDIC-CDMC. ISBN: 978-65-00-00686-5.
Falleiros, M. S., & Pino, R. (2019). Brazilian Improvisation from a Post-Colonial Perspective: Towards an Improvisation as Possible Practice. XXIX National Congress of Research and Graduate Studies in Music (ANPPOM), 1, 1–1.
Falleiros, M. S., & Yasuda, R. M. (2019). The Compositional Transformations in Garoto’s Choros. XXIX National Congress of Research and Graduate Studies in Music (ANPPOM).
Falleiros, M. S., & Faraco, A. (2019). Mystery and Manners: Comprovisation, Locality and Cosmopolitanism. XXIX National Congress of Research and Graduate Studies in Music (ANPPOM).
Falleiros, M. S., & Maques, M. A. (2019). The Formation of a Sound Imagery for the Clarone from the Concert Repertoire. In Symposium CDMC 30 Years: Documentation, Creation and Performance. CDMC.
Falleiros, M. S., & Paz, A. (2019). The Unexpected in the Improvised: The Conflict between Improvised Actions and Musical Improvisation in Concert Repertoire. In Symposium CDMC 30 Years: Documentation, Creation and Performance. CDMC.
Falleiros, M. S., & Silva, F. S. (2019). Notes on the Life and Work of Belgian Flutist and Composer Mathieu-André Reichert in Brazil. In Symposium CDMC 30 Years: Documentation, Creation and Performance. CDMC.
Falleiros, M. S., & Tiófilo, G. (2019). Distributed Creativity: The Composer-Performer Relationship in the Creation of the Work “Concerto Brasileiro”. In Symposium CDMC 30 Years: Documentation, Creation and Performance. CDMC.
Falleiros, M. S., Novo Junior, J. E. F., & Rubio, M. C. (2019). The Saxophonic Legacy of Elise Hall: Musical Archive for the Instrument. In Symposium CDMC 30 Years: Documentation, Creation and Performance. CDMC.
Falleiros, M. S. (2018). Pássaros [Birds]. ORFEU: Revista do Programa de Pós-graduação em Música, 1(2), 103–113.
Falleiros, M. S., & Moreira, C. A. (2018). Swarming: The Collective and the Collaborative in Free Improvisation. XXVIII National Congress of Research and Graduate Studies in Music (ANPPOM).
Falleiros, M. S. (2018). Routes, Proposals and Strategies: Towards a Mosaic Poetics of Free Improvisation. Debates (Rio de Janeiro), 20, 188–210.
Falleiros, M. S., & Fenerich, A. S. (2017). Improvisation, Composition by Profiles and Live Electronics: The Composer’s and Performer’s Gaze in a Musical Realization. Sonic Ideas, 9, 17–25.
Falleiros, M. S., & Monezzi Filho, R. (2017). Musical Trajectory of Saxophonist Paulo Moura: The Gafieira as Path for a Brazilian Improvisation. XVII National Congress of Research and Graduate Studies in Music (ANPPOM).
Falleiros, M. S. (2017). 5 Sounds: Development of a Strategy for Free Improvisation from the Concept of Game. XXIV National Congress of Research and Graduate Studies in Music (ANPPOM).
Falleiros, M. S., & Santos, C. R. (2017). Tumulto [Tumult]: A Preliminary Study on Rhythmic Symmetry in Arrigo Barnabé’s Music. XXIV National Congress of Research and Graduate Studies in Music (ANPPOM).
Falleiros, M. S. (2015). Endoconcepts as Promoters of Cognitive Association Networks in the Creative Process for Free Musical Improvisation. PERCEPTA – Revista de Cognição Musical, 2, 53.
Falleiros, M. S. (2013). Is There a Brazilian Improvisation? The Creative Paradigm of Nailor Azevedo ‘Proveta’. XXIII National Congress of Research and Graduate Studies in Music (ANPPOM).
Falleiros, M. S. (2013). Free Improvisation in the Post-Modern Context: Indications of a ‘Hyperimprovisation’. XXIII National Congress of Research and Graduate Studies in Music (ANPPOM).
Falleiros, M. S. (2011). The Word as a Strategy Amplifying Creative Actions in Free Improvisation. XXI National Congress of Research and Graduate Studies in Music (ANPPOM).
Falleiros, M. S. (2011). Free Improvisation as a Tool for Creativity Education. III Week of Music Education of the Institute of Arts of UNESP.
Falleiros, M. S. (2010). Radio and Diffusion: The Transfigured Listening. In 6th Meeting on Music and Media. Música de/para, 1.
Falleiros, M. S., & Goldenberg, R. (2007). Improvisation and Choro in the Music of Nailor Azevedo “Proveta”. Cadernos de Pós-Graduação, 2, 19.